Tuesday, July 01, 2008
Continued from previous post on "Seeing through":
"Looking at these figures I was suddenly, almost forcibly, jerked clean out of the habitual, half-tied vision of things, and an inner clearness, clarity, as if exploding from the rocks themselves, became evident and obvious.
The queer evidence of the reclining figure, the smile, the sad smile of Ananda standing with arms folded. The thing about all this is that there is no puzzle, no problem and really no "mystery". All problems are resolved and everything is clear. The rock, all matter, all life is charged with dharmakaya... everything is emptiness and everything is compassion. I don't know when in my life I have ever had such a sense of beauty and spiritual validity running together in one aesthetic illumination.."
The Asian Journals of Thomas Merton
Picture by: Temple of Dawn by revenui @ Flickr